14 November 2017

Return to Oz: Dorothy and the Wizard in Oz by Eric Shanower & Skottie Young

Comic hardcover, n.pag.
Published 2012 (contents: 2011-12)

Acquired September 2012
Read September 2016
Dorothy and the Wizard in Oz
Adapted from the book by L. Frank Baum 

Writer: Eric Shanower
Artist: Skottie Young
Colorist: Jean-Francois Beaulieu
Letterer: Jeff Eckleberry

Dorothy and the Wizard is probably my favorite of the original six Oz novels, partly I suspect, because it's the only one of those I owned as a kid in an edition with high-quality reproductions of the original illustrations: my others were either low-quality Del Rey editions without color (Ozma and Emerald City), poorly re-illustrated versions (Wizard and Marvellous Land), or just had no illustrations at all (Road)! So to me, the underground world of Dorothy and the Wizard has always seemed particularly lavish and detailed-- and, as a result, alien. This means it's, as always, well-suited to the illustration talents of Skottie Young.

from Dorothy and the Wizard in Oz #3

Dorothy and the Wizard is probably the darkest of the original six Oz novels. In the others, most of the people Dorothy meets are reasonably nice, and/or are evil thanks to external influence, and/or there's a clear end goal. For the most part, Dorothy and the Wizard lacks any of these: almost every environment Dorothy and her friends encounter is somewhere between actively hostile and completely indifferent, and there's no obvious destination for the group. There's no route to Oz that they're following, they're just trying to stay alive by moving onwards from each terrible place to another, hopefully-but-not-actually less terrible place. I wouldn't like it if every Oz novel was like this, but this one does what it does well.

from Dorothy and the Wizard in Oz #5

Its terrifying Mangaboos and Gargoyles give Young so much to work with, but as I came to realize when reviewing Ozma, he best shines with the "normal" animals, this one having Eureka, Dorothy's conceited kitten (but then, aren't they all?), and the Wizard's nine tiny piglets. Because of this, Shanower and Young even manage to rescue the book's extended coda about Eureka being on trial for murder. It drags in prose, but put Young's amazing rendering of Eureka at the center, and every moment of her attitude is a joy. Plus, Shanower even uses the opportunity to smooth over some hiccups in Baum's improvised history of Oz. Another Shanower and Young triumph.

from Dorothy and the Wizard in Oz #8
Next Week: Dorothy goes back to Oz, yet again in Road to Oz!

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